Archive for the ‘ Writing ’ Category

Romulus Linney

“There are 3 basic human needs. Food, sex, and the desire to rewrite someone else’s play.”

Darrell Royal

“You gotta dance with the girl that brung you.”

Rod Serling

(a clip from Mike Wallace’s interview)

Charles McNulty

“…theater people will forgive a noble flop, but perfunctory dullness is an unpardonable sin.”

Anton Chekhov

“… if we want to have any real life in the present, we have to do something to make up for our past, we have to get over it, and the only way to do that is to make sacrifices, get down to work, and work harder than we’ve ever worked before.” (from The Cherry Orchard)

Cary Tennis

“Remember that as a writer you must find your motivation internally, not in external rewards, and you work in opposition to the system, not as a supplicant to the system. Whatever contingent truces you have maintained with the system in order to participate in its orderly orgies of consumption and distribution, good for you. But you are not a part of the system. You are a free creative worker. You do not need the system to do your creating. You only need it as a utility to reach your audience, and increasingly not even for that. On the other hand, the system cannot create anything on its own. It can only manage and distribute. So it needs you. It needs you but it is not on your side. Remember that.”

Darrell Royal

“You gotta dance with the girl that brung you.”

Kevin Spacey

(a clip from Inside the Actors Studio)

Marsha Norman

“Plays are stories about need.”

Horace

“To have good sense, is the first principle and fountain of writing well. … Let whatever is imagined for the sake of entertainment have as much likeness to truth as possible.”

Alfred Uhry

“It’s very important for a playwright to be able to listen to the reading and not be so frightened that you can’t hear anything.  You’ve got to make yourself do that.  It’s really hard.  Everybody is looking at me.  It’s nightmare time.”

Donald Barthelme

“Write about what you’re most afraid of.”

O. Henry

“Write what makes you happy.”

William Shakespeare

As an unperfect actor on the stage
Who with his fear is put besides his part,
Or some fierce thing replete with too much rage,
Whose strength’s abundance weakens his own heart.
So I, for fear of trust, forget to say
The perfect ceremony of love’s rite,
And in mine own love’s strength seem to decay,
O’ercharged with burden of mine own love’s might.
O, let my books be then the eloquence
And dumb presagers of my speaking breast,
Who plead for love and look for recompense
More than that tongue that more hath more express’d.
O, learn to read what silent love hath writ:
To hear with eyes belongs to love’s fine wit.

(Sonnet 23)

David Mamet

“When you sit down to write, tell the truth from one moment to the next and see where it takes you.”

Truman Capote

“A boy has to peddle his book.”

William Faulkner

“The artists who want to be writers, read the reviews; the artists who want to write, don’t.”

Moliere

“Writing is like prostitution.  First you do it for the love of it, then you do it for a few friends, and finally you do it for the money.”

Jose Rivera

“Only listen to those people who have a vested interest in your future.”

Arthur Laurents

“…never make a transition on the dialogue; transitions should always come out of emotion.”

Marsha Norman

“If you know a story about a brave human being in big trouble, write that.  Write how the trouble started, what the person did, and how it turned out.  Little troubles, for example, troubles that will solve themselves just by the person growing up, you don’t need to waste your time on those.  Write about greed, revenge, rage, betrayal, guilt, adultery, and murder.  When writing about softer troubles such as injustice, loss, humiliation, incapacity, aging, sadness and being misunderstood, just be sure to attach them to one of the more active troubles.  Attach betrayal to loss and you have a play.  Attach adultery to aging and you have a play.  And let fear drive the whole thing.”

Tina Howe

“…when you write a kitchen-sink drama, people tend to behave in a kitchen-sink kind of way.  But take those characters out of the kitchen and … they’ll act differently. … After all, where your characters are determines what they do.”

Alfred Uhry

“A playwright needs a good ear.”

John Guare

“You can write the sharpest, most glittery, wisest, poetic, hilariously dazzling dialogue, but if that dialogue doesn’t do its true work and open the dramatic world underneath, it’s dead on arrival.”

William Butler Yeats

“Our words must seem to be inevitable.”

Arthur Miller

“For myself, it has never been possible to generate the energy to write and complete a play if I know in advance everything it signifies and all it will contain.  The very impulse to write, I think, springs from an inner chaos crying for order, for meaning, and that meaning must be discovered in the process of writing or the work lies dead as it is finished.”

Barnaby Conrad

“Front-rank characters should have some defect, some conflicting inner polarity, some real or imagined inadequacy.”

Ann Sexton

“Tell almost the whole story.”

T.S. Eliot

“Whatever you do … avoid piles.”

Moss Hart

“One begins with two people on a stage, and one of them had better say something pretty damn quick.”

Anton Chekhov

“The artist observes, selects, guesses, and arranges; every one of these operations presupposes a question at its outset. If he has not asked himself a question at the start, he has nothing to guess and nothing to select.”

Theresa Rebeck

“You know, this is going to ruin your life, to be a playwright.  So, make it worth it.”

Alan Ayckbourne

“If a play can be too simple, it can also be too complicated.  If one element is particularly complicated, keep the rest of it simple.”

Jack London

“You can’t wait for inspiration.  You have to go after it with a club.”

David Mamet

“Be prepared, be early, never complain, help your fellows, figure it out – your capacity for work is vastly greater than you suppose.”