Archive for the ‘ Playwrights ’ Category

Romulus Linney

“There are 3 basic human needs. Food, sex, and the desire to rewrite someone else’s play.”

Plato

“Be kind, for everyone you meet is fighting a hard battle.”

Darrell Royal

“You gotta dance with the girl that brung you.”

Henry David Thoreau

The price of anything is the amount of life you exchange for it.

Charles McNulty

“…theater people will forgive a noble flop, but perfunctory dullness is an unpardonable sin.”

Anton Chekhov

“… if we want to have any real life in the present, we have to do something to make up for our past, we have to get over it, and the only way to do that is to make sacrifices, get down to work, and work harder than we’ve ever worked before.” (from The Cherry Orchard)

Cary Tennis

“Remember that as a writer you must find your motivation internally, not in external rewards, and you work in opposition to the system, not as a supplicant to the system. Whatever contingent truces you have maintained with the system in order to participate in its orderly orgies of consumption and distribution, good for you. But you are not a part of the system. You are a free creative worker. You do not need the system to do your creating. You only need it as a utility to reach your audience, and increasingly not even for that. On the other hand, the system cannot create anything on its own. It can only manage and distribute. So it needs you. It needs you but it is not on your side. Remember that.”

Darrell Royal

“You gotta dance with the girl that brung you.”

Kevin Spacey

(a clip from Inside the Actors Studio)

William Kennedy

“The trick is to renew your vulnerability. You do your best. The critics either like it or they don’t, but the important thing is to persist.”

Ben Hecht

“Responding to criticism is a foolish thing for a writer to do, and an unpleasant one.  It is much better to read only the advertisements of our work and not, briefly, your royalty reports.  These will tell you how popular you are.  How good you are, or are not, is a thing you should know only too well yourself.”

Marsha Norman

“Plays are stories about need.”

Brian Clark

“Someone once said recently, I can’t remember who, ‘The playwright’s spiritual ancestor is not a poet but a juggler.’”

Alfred Uhry

“It’s very important for a playwright to be able to listen to the reading and not be so frightened that you can’t hear anything.  You’ve got to make yourself do that.  It’s really hard.  Everybody is looking at me.  It’s nightmare time.”

William Shakespeare

As an unperfect actor on the stage
Who with his fear is put besides his part,
Or some fierce thing replete with too much rage,
Whose strength’s abundance weakens his own heart.
So I, for fear of trust, forget to say
The perfect ceremony of love’s rite,
And in mine own love’s strength seem to decay,
O’ercharged with burden of mine own love’s might.
O, let my books be then the eloquence
And dumb presagers of my speaking breast,
Who plead for love and look for recompense
More than that tongue that more hath more express’d.
O, learn to read what silent love hath writ:
To hear with eyes belongs to love’s fine wit.

(Sonnet 23)

Caesar Augustus’s last words

“Acta est fabula, plaudite!” (The play is over, applaud!).

William Faulkner

“The artists who want to be writers, read the reviews; the artists who want to write, don’t.”

Shakespeare’s Globe

“Totus mundus agit histrionem” (All the world plays the actor).

Jose Rivera

“Only listen to those people who have a vested interest in your future.”

Marsha Norman

“If you know a story about a brave human being in big trouble, write that.  Write how the trouble started, what the person did, and how it turned out.  Little troubles, for example, troubles that will solve themselves just by the person growing up, you don’t need to waste your time on those.  Write about greed, revenge, rage, betrayal, guilt, adultery, and murder.  When writing about softer troubles such as injustice, loss, humiliation, incapacity, aging, sadness and being misunderstood, just be sure to attach them to one of the more active troubles.  Attach betrayal to loss and you have a play.  Attach adultery to aging and you have a play.  And let fear drive the whole thing.”

Alfred Uhry

“A playwright needs a good ear.”

Eric Bogosian

“…Q&As are so popular in the regional theaters.  Because everyone wants to know what the play is ‘about.’  It’s a great way of avoiding what a play is.  Do we really need a Q&A about George and Martha in Who’s Afraid of Virginia Woolf?

Moss Hart

“One begins with two people on a stage, and one of them had better say something pretty damn quick.”

Anton Chekhov

“The artist observes, selects, guesses, and arranges; every one of these operations presupposes a question at its outset. If he has not asked himself a question at the start, he has nothing to guess and nothing to select.”

Theresa Rebeck

“You know, this is going to ruin your life, to be a playwright.  So, make it worth it.”

Richard Easton

“One always has to remember that the playwright is the artist in the theatre, and the actor is a craftsman.”